Samurai Part I

Samurai (侍, Samurai) is the term for the military nobility of pre-industrial Japan. The word samurai is derived from the archaic Japanese verb samorau, changed to saburau, meaning "to serve"; thus, a samurai is a servant, i.e. the servant of a lord.
History
It is believed warriors and foot-soldiers in the sixth century may have formed a proto-samurai class. Following a disastrous military engagement with Tang China and Silla, Japan underwent widespread reforms. One of the most important was that of the Taika Reform, issued by Prince Naka no Ōe (Emperor Tenji) in 646 AD. This edict introduced Chinese cultural practices and administrative techniques throughout the Japanese aristocracy and bureaucracy. As part of the Taihō Code, of 702 AD and the later Yōrō Code, the population was required to report regularly for census, which was used as a precursor for national conscription. With an understanding of how the population was distributed, Emperor Mommu introduced the law whereby 1 in 3–4 adult males were drafted into the national military. These soldiers were required to supply their own weapons, and in return were exempted from duties and taxes. This was one of the first attempts by the Imperial government to form an organized army modelled after the Chinese system. It was called gundan-sei(軍団制) by later historians and is believed to have been short lived.

The Taihō Code classified Imperial bureaucrats into 12 ranks, each divided into two sub-ranks, 1st rank being the highest adviser to the emperor. Those of 6th rank and below were referred to as "samurai" and dealt with day-to-day affairs. Although these "samurai" were civilian public servants, the name is believed to have derived from this term. Military men, however, would not be referred to as "samurai" for many more centuries.

In the early Heian period, the late 8th and early 9th centuries, Emperor Kammu (桓武天皇) sought to consolidate and expand his rule in northern Honshū, but the armies he sent to conquer the rebellious Emishi people lacked motivation and discipline, and were unable to prevail. Emperor Kammu introduced the title of Seiitaishogun (征夷大将軍) or shogun, and began to rely on the powerful regional clans to conquer the Emishi. Skilled in mounted combat and archery (kyūdō, 弓道), these clan warriors became the emperor's preferred tool for putting down rebellions.[citation needed] Although these warriors may have been educated, at this time (7th to 9th century) the Imperial court officials considered them to be little more than barbarians.

Ultimately, Emperor Kammu disbanded his army, and from this time, the emperor's power gradually declined . While the emperor was still the ruler, powerful clans around Kyoto (京都) assumed positions as ministers, and their relatives bought positions as magistrates. To amass wealth and repay their debts, magistrates often imposed heavy taxes, resulting in many farmers becoming landless.

As the threat of robbery rose, the clans began recruiting these exiles in the Kanto plains. Because of their intense training in the martial arts, they proved to be effective guards. Small numbers would accompany tax collectors and, merely by their presence, deter thieves and bandits from attacking. They were saburai, armed retainers, yet their advantage of being the sole armed party quickly became apparent.
Through protective agreements and political marriages, they accumulated political power, eventually surpassing the traditional aristocracy.

Some clans were originally formed by farmers who had taken up arms to protect themselves from the imperial magistrates sent to govern their lands and collect taxes. These clans formed alliances to protect themselves against more powerful clans, and by the mid-Heian period they had adopted characteristic Japanese armour and weapons, and laid the foundations of Bushido, their ethical code. However, Bushido was never a code of ethics per se, and only in the late nineteenth, early twentieth century did the term gain popular currency.

For most of samurai history, warriors described themselves as followers of "kyuba no michi," or the "way of the bow and horse," and had no overlying code of ethics to which they were beholden. To be sure, samurai were expected to comport themselves in a certain manner, but any specific points of behavior would have been limited to family or clan teachings.

Before the 14th century, samurai were generally illiterate, rusticated brutes; they did, however, aspire to the more cultured abilities of the nobility.[citation needed] Few achieved this until later periods, however. Examples such as Taira Tadanori (a samurai who appears in the Heike Monogatari or "Tale of the Heike") demonstrate that some warriors did respect the arts and aspire to become skilled in them; Tadanori is famous for his skill with the pen, indicating that it was rare for a samurai to possess such skill as to be recognized for it.

Beginning around the fourteenth century, samurai were expected to be cultured and literate, and the ancient saying "Bun Bu Ryo Do" (文武両道, lit. literary arts, military arts, both ways) or "The pen and the sword in accord," was an ideal to which many aspired. However, the number of men who actually achieved the ideal and lived their lives by it was low. Few warriors had the time or inclination to dedicate their already difficult lives to such pursuits.

An early term for warrior, "uruwashii", was written with a kanji that combined the characters for literary study ("bun" 文) and military arts ("bu" 武), and is mentioned in the Heike Monogatari (late 12th century). The Heike Monogatari makes reference to the educated poet-swordsman ideal in its mention of Taira no Tadanori's death:

"Friends and foes alike wet their sleeves with tears and said, 'What a pity! Tadanori was a great general, pre-eminent in the arts of both sword and poetry.' "According to William Scott Wilson in his book Ideals of the Samurai: "The warriors in the Heike Monogatari served as models for the educated warriors of later generations, and the ideals depicted by them were not assumed to be beyond reach. Rather, these ideals were vigorously pursued in the upper echelons of warrior society and recommended as the proper form of the Japanese man of arms. With the Heike Monogatari, the image of the Japanese warrior in literature came to its full maturity." Wilson then translates the writings of several warriors who mention the Heike Monogatari as an example for their men to follow.

It is necessary to remember, however, that the Heike warriors are men fictionalized by a fourteenth century dramatist, and the tales about such warriors had been modified for centuries before the Tale of the Heike was actually written down.

Thus, while we can, if careful, see some of how warriors behaved in literary sources, the actual behavior of early samurai is difficult to glean from literature alone.
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